创作的压抑，让塔可夫斯基最终选择远赴意大利，接受西方制片人的邀约拍摄《乡愁》。他将对民族性的无穷追问糅进了《乡愁》的镜头里。剧情从来都不是这部影片的核心，漂泊、回忆、孤独，还有对故土深入骨髓的怀念，共同交织成如雾霭般难以散去的哀愁。在日记中，他记录着在意大利的创作心境，也写下了对这部作品的期许，而影片中那个戈尔恰科夫手持蜡烛缓缓走过水池的漫长镜头，不仅成为电影艺术史上不可复制的经典，更成为塔可夫斯基的“自我画像”，照见了一个异乡人的精神漂泊。
A note on forkingA practical detail that matters is the process that creates child sandboxes must itself be fork-safe. If you are running an async runtime, forking from a multithreaded process is inherently unsafe because child processes inherit locked mutexes and can corrupt state. The solution is a fork server pattern where you fork a single-threaded launcher process before starting the async runtime, then have the async runtime communicate with the launcher over a Unix socket. The launcher creates children, entirely avoiding the multithreaded fork problem.
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Chris BaraniukTechnology Reporter
# dns = ["1.1.1.1"] # optional; nameservers to inject into containers